{"id":61,"date":"2011-02-01T17:23:43","date_gmt":"2011-02-01T22:23:43","guid":{"rendered":"http:\/\/blog.espol.edu.ec\/grosado\/61\/"},"modified":"2011-02-01T20:06:27","modified_gmt":"2011-02-02T01:06:27","slug":"61","status":"publish","type":"page","link":"https:\/\/blog.espol.edu.ec\/grosado\/61\/","title":{"rendered":"NICKY MARRERO. EL TIMBALERO DE LOS TIMBALEROS"},"content":{"rendered":"<h2>Nicky Marrero. El timbalero de los timbaleros<\/h2>\n<div><a href=\"..\/files\/2010\/11\/20080830-nickyMarrero.jpeg\"><\/a><\/div>\n<p style=\"text-align: center\"><img loading=\"lazy\" decoding=\"async\" title=\"20080830-nickyMarrero\" src=\"..\/files\/2010\/11\/20080830-nickyMarrero.jpeg\" alt=\"\" width=\"300\" height=\"225\" \/><\/p>\n<p>El gran timbalero y percusionista Nicky Marrero estaba en todos lados   durante el boom de la salsa de New York en la d\u00e9cada de los setenta.   Toc\u00f3 y grab\u00f3 junto a Eddie Palmieri, Larry Harlow, Ismael Miranda,   T\u00edpica Novel, Louie Cruz, Fania All Stars, Machito, y muchos mas y se me   olvidaba la T\u00edpica 73!. Uno de los mas bravos de todos los tiempos. Su   estilo es un h\u00edbrido de los grandes: Manny Oquendo, Tito Puente y   Orestes Vilat\u00f3. Todav\u00eda la rompe en los escenarios ya sea tocando salsa o   Latin Jazz. Su lugar en la historia de la salsa est\u00e1 asegurado y de   verdad que se lo merece.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" title=\"&quot;allowFullScreen&quot;:&quot;true&quot;,&quot;allowscriptaccess&quot;:&quot;always&quot;,&quot;src&quot;:&quot;http:\/\/www.youtube.com\/v\/oLog-r6RJvU?fs=1&amp;hl=es_ES&quot;,&quot;allowfullscreen&quot;:&quot;true&quot;\" src=\"..\/wp-includes\/js\/tinymce\/plugins\/media\/img\/trans.gif\" alt=\"\" width=\"480\" height=\"385\" \/><\/p>\n<p>A continuaci\u00f3n una selecci\u00f3n de trabajos en los que Nicky Marrero ha participado:<br \/>\nWillie Col\u00f3n, El Malo (Fania, 1967)<\/p>\n<p>Eddie Palmieri, Champagne (Tico, 1968)<\/p>\n<p>Willie Col\u00f3n, The Hustler (Fania, 1968)<\/p>\n<p>Eddie Palmieri, Justicia (Tico, 1969)<\/p>\n<p>Eddie Palmieri, Superimposition (Tico, 1970)<\/p>\n<p>Dizzy Gillespie, Portrait of Jenny (Perception, 1970)<\/p>\n<p>Eddie Palmieri, Vamonos Pa'l Monte (Tico, 1971)<\/p>\n<p>Eddie Palmieri and Harlem River Drive, Harlem River Drive (Roulette, 1971)<\/p>\n<p>Larry Harlow with Ismael Miranda, Oportunidad (Fania, 1972)<\/p>\n<p>Justo Betancourt, Pa Bravo Yo (Fania, 1972)<\/p>\n<p>Eddie Palmieri with Harlem River Drive, Live At Sing Sing (Tico, 1972)<\/p>\n<p>Houston Person, Island Episode (Prestige, 1973)<\/p>\n<p>Ismael Miranda and Orquesta Revelaci\u00f3n, As\u00ed Se Compone Un Son (Fania, 1973)<\/p>\n<p>Eddie Palmieri, Sentido (Coco, 1973)<\/p>\n<p>Eddie Palmieri, Eddie Palmieri &amp; Friends In Concert At The University of Puerto Rico (Coco, recorded 1971, released 1973)<\/p>\n<p>Cheo Feliciano, Felicidades (Vaya, 1973)<\/p>\n<p>Wuelfo, El Sonido de la 4 (Inca, 1974)<\/p>\n<p>Eddie Palmieri, The Sun of Latin Music (Coco, 1974; Grammy Award winner)<\/p>\n<p>T\u00edpica Novel, Super T\u00edpica (TR, 1974)<\/p>\n<p>Eddie Palmieri with Harlem River Drive, Live At Sing Sing Vol. 2 (Tico, 1974)<\/p>\n<p>Ismael Miranda, En Fa Menor (Fania, 1974)<\/p>\n<p>Ismael Quintana, Ismael Quintana (Vaya, 1974)<\/p>\n<p>Fania All Stars, Latin-Soul-Rock (Fania, 1974)<\/p>\n<p>Larry Harlow, Live In Quad (Fania, 1974)<\/p>\n<p>Lou P\u00e9rez, Lou P\u00e9rez y su Conjunto T\u00edpico (Seeco, 1974)<\/p>\n<p>T\u00edpica Novel, Sabrosa Novel (TR, 1975)<\/p>\n<p>H\u00e9ctor Lavoe, La Voz (Fania, 1975)<\/p>\n<p>Fania All Stars, Live At Yankee Stadium, Vol. 1 (Fania, 1975; Vol. 1 received a Grammy nomination)<\/p>\n<p>Fania All Stars, Live At Yankee Stadium, Vol. 2 (Fania, 1975; Vol. 1 received a Grammy nomination)<\/p>\n<p>Ismael Miranda, Este Es\u2026Ismael Miranda (Fania, 1975)<\/p>\n<p>Justo Betancourt, Lo Sabemos (Fania, 1975)<\/p>\n<p>Ralfi Pag\u00e1n, I Can See (Fania, 1975)<\/p>\n<p>Mark \"Markolino\" Dimond with Frankie Dante, Beethoven's V (Cotique, 1975)<\/p>\n<p>T\u00edpica Novel, With A Touch Of Brass (TR, 1975)<\/p>\n<p>Fania All Stars, Salsa soundtrack recording (Fania, 1976; nominated for a Grammy)<\/p>\n<p>Fania All Stars, Tribute to Tito Rodr\u00edguez (Fania, 1976)<\/p>\n<p>Fania All Stars, Delicate And Jumpy (Columbia, 1976)<\/p>\n<p>George Benson and Joe Farrell, Benson &amp; Farrell (CTI, 1976)<\/p>\n<p>Eddie Palmieri, Unfinished Masterpiece (Coco, 1976; Grammy Award winner)<\/p>\n<p>Ismael Quintana, Lo Que Estoy Viviendo (Vaya, 1976)<\/p>\n<p>Cheo Feliciano, The Singer (Vaya, 1976)<\/p>\n<p>Chivirico D\u00e1vila, Para Mi Gente (1976, Cotique)<\/p>\n<p>Lebron Brothers, Distinto y Diferente (1976, Cotique)<\/p>\n<p>Belmonte &amp; His Afro Latin 7, Ol\u00e9! (Lideres, 1976)<\/p>\n<p>Fania All Stars, Rhythm Machine (Columbia, 1977)<\/p>\n<p>Machito, Fireworks (Coco, 1977; nominated for a Grammy)<\/p>\n<p>Willie Col\u00f3n &amp; Rub\u00e9n Blades Metiendo Mano! (Fania, 1977)<\/p>\n<p>Ismael Miranda, No Voy Al Festival (Fania, 1977)<\/p>\n<p>T\u00edpica 73, The Two Sides Of T\u00edpica 73 \/ Los Dos Lados De La T\u00edpica 73 (Inca, 1977)<\/p>\n<p>Ismael Quintana, Amor, Vida y Sentimiento \/ Love, Life And Feelings (Vaya, 1977)<\/p>\n<p>Chivirico D\u00e1vila, Brindando Alegria (1977, Cotique)<\/p>\n<p>Charanga 76, Encore (TR, 1977)<\/p>\n<p>Cheo Feliciano, Mi Tierra Y Yo (Vaya, 1977)<\/p>\n<p>Tito G\u00f3mez, Para Gozar Borinquen (Inca, 1977)<\/p>\n<p>David Amram, Havana \/ New York (Flying Fish, 1978)<\/p>\n<p>Fania All Stars, Spanish Fever (Columbia, 1978; track \"Coro Miyare\" was nominated for a Grammy)<\/p>\n<p>T\u00edpica Ideal, Fuera del Mundo \/ Out Of This World (Coco, 1978)<\/p>\n<p>Charanga America, George Maysonet and Charanga America (El Sonido, 1978)<\/p>\n<p>Vit\u00edn Avil\u00e9s, Con Mucha Salsa (Alegre, 1978)<\/p>\n<p>Mon Rivera, Forever (Vaya, 1978)<\/p>\n<p>Fania All Stars, Live (Fania, 1978)<\/p>\n<p>Ismael Miranda, Sabor, Sentimiento y Pueblo (Fania, 1978)<\/p>\n<p>Louie Ram\u00edrez, Louie Ram\u00edrez y sus Amigos (Cotique, 1978)<\/p>\n<p>T\u00edpica 73, Salsa Encendida (Inca, 1978)<\/p>\n<p>Tito Puente, Homenaje a Beny More (Tico, 1978; Grammy Award winner)<\/p>\n<p>Fania All Stars, Crossover (Columbia, 1979; nominated for a Grammy)<\/p>\n<p>T\u00edpica 73, T\u00edpica 73 En Cuba: Intercambio Cultural (Fania, 1979)<\/p>\n<p>Junior Gonz\u00e1lez, Mi Estilo - My Style (Fania, 1979)<\/p>\n<p>Alfredo de la F\u00e9, Para Africa Con Amor (Sacodis, 1979)<\/p>\n<p>Alfredo de la F\u00e9, La Charanga 1980: Orchestra Rytmo Africa - Cubana  Vol.  1 (TKIOS Musique, 1979) (aka Charanga Caliente, Envidia)<\/p>\n<p>Dandy's Dandy (effectively T\u00edpica 73 personnel), A Latin Affair (Latin Percussion Ventures, 1979)<\/p>\n<p>Alfredo de la F\u00e9, Alfredo (Criollo \/ Latin Percussion Ventures, 1979)<\/p>\n<p>Sophy, Salsa En New York (Disco Hit, late '70s, reissued 2003)<\/p>\n<p>Orquesta Novel, Novel Experience (Fania, 1980)<\/p>\n<p>T\u00edpica 73, Charangueando Con La T\u00edpica 73 (Fania, recorded 1978, released 1980)<\/p>\n<p>Johnny Pacheco, Pupi Legarreta, Jos\u00e9 Fajardo and Javier V\u00e1zquez y su Charanga, Las Tres Flautas (Fania, 1980)<\/p>\n<p>Fania All Stars, Commitment (Fania, 1980)<\/p>\n<p>Jimmy Sabater, Gusto (Fania, 1980)<\/p>\n<p>Fania All Stars, California Jam (Fania, 1980)<\/p>\n<p>Larry Harlow &amp; Junior Gonz\u00e1lez, Our Latin Feeling \/ Nuestro Sentimiento Latino (Fania, 1980)<\/p>\n<p>Jerry Gonz\u00e1lez, Ya Yo Me Cur\u00e9 (American Clav\u00e9, 1980)<\/p>\n<p>Charanga La Reina, Charanga La Reina (Barbaro, 1980)<\/p>\n<p>Henri G\u00fcedon, Salsa Dans Le Bronx (RCA, 1980); the track \"Faut Pas   Pousser\" is collected on the G\u00fcedon anthology Early Latin And Boogaloo   Recordings By The Drum Master (Comet Records, 2004)<\/p>\n<p>Kip Hanrahan, Coup De T\u00eate (American Clav\u00e9, 1981)<\/p>\n<p>Ra\u00fal Marrero, Quien Dijo Miedo (Salsa International, 1980)<\/p>\n<p>T\u00edpica 73, Into The 80's (Fania, 1981)<\/p>\n<p>Ismael Miranda, La Clave del Sabor (Fania, 1981)<\/p>\n<p>Rafael de Jes\u00fas, Lo Que Fu\u00e9 No Ser\u00e1 (New Generation Records, 1981)<\/p>\n<p>Fania All Stars, Social Change (Fania, 1981)<\/p>\n<p>Fania All Stars, Latin Connection (Fania, 1981)<\/p>\n<p>H\u00e9ctor Lavoe, Que Sentimiento! (Fania, 1981)<\/p>\n<p>Justo Betancourt, Leguleya No (Fania, 1982)<\/p>\n<p>Larry Harlow, Yo Soy Latino (Fania, 1982)<\/p>\n<p>Don Gonzalo Fern\u00e1ndez, \u00a1Repicao! (Toboga, 1982)<\/p>\n<p>Jerry Gonz\u00e1lez &amp; Fort Apache Band, River Is Deep (Enja, 1982)<\/p>\n<p>Conjunto Realidad, Asi Es Mi Tierra (Salsa International, 1982)<\/p>\n<p>Ismael Miranda, The Master (Fania, 1983)<\/p>\n<p>Camilo Azuquita, Salsa Internacional 83 (Polydor, 1983)<\/p>\n<p>Fania All Stars, Lo Que Pide La Gente (Fania, 1984)<\/p>\n<p>Willie Col\u00f3n, Tiempo Pa' Matar (Fania, 1984)<\/p>\n<p>Eddie Palmieri, Palo Pa' Rumba (ML, 1984; Grammy Award winner)<\/p>\n<p>Willie Col\u00f3n, Criollo (RCA Internatinal, 1984)<\/p>\n<p>Israel Kantor, La Verdad (Bacan Records, 1984)<\/p>\n<p>Jorge Dalto, Urban Oasis (Concord Picante, 1985)<\/p>\n<p>Fania All Stars, Viva La Charanga (Fania, 1986)<\/p>\n<p>Rudy Calzado, Rica Charanga (Caim\u00e1n, 1986)<\/p>\n<p>Alfredo Vald\u00e9s Jr., \u00a1Su Piano Y Su Sabor! (Palm, 1986)<\/p>\n<p>Fania All Stars, Live In Africa (Fania, recorded 1974, released 1986)<\/p>\n<p>Fania All Stars, Live In Japan 1976 (Fania, 1986)<\/p>\n<p>Daniel Ponce, Araw\u00e9 (Antilles, 1987)<\/p>\n<p>Fania All Stars, Bamboleo (Fania, 1988)<\/p>\n<p>Fania All Stars, Guasasa (Fania, 1989)<\/p>\n<p>Jerry Gonz\u00e1lez &amp; Fort Apache Band, Obatal\u00e1 (Enja, 1989)<\/p>\n<p>Jorge Dalto, Rendez-vous (Cheetah, recorded 1983, released 1989)<\/p>\n<p>Ensemble of Latin Music Legends, Mambo Show (Tropical Budda, 1990)<\/p>\n<p>Nueva Manteca, Varadero Blues (Timeless, 1990)<\/p>\n<p>Nueva Manteca, Afrodisia (Timeless, 1991)<\/p>\n<p>Iraz\u00fa, guesting along with Lou Donaldson, Alfredo Rodr\u00edguez and Chocolate, La Fiesta Del Timbalero (L+R, 1991)<\/p>\n<p>Nueva Manteca, Bluesongo (Lucho, 1992)<\/p>\n<p>Conexion Latina, Mambo 2000 (Enja, 1992)<\/p>\n<p>Carlos \"Patato\" Valdez, Masterpiece (Messidor, recorded 1984-5, released 1993; reissued on Universal \/ Pimienta in 2004)<\/p>\n<p>H\u00e9ctor Ramos, Para Todo El Mundo (Salson Records, 1993)<\/p>\n<p>Fania All Stars, Live In Puerto Rico (Fania, 1995)<\/p>\n<p>Fania All Stars, Viva Colombia: En Concierto 2-CD Set (Fania, 1995)<\/p>\n<p>A. J. Diaz, Carnaval (Ventorillo Records, 1995; reissued as Blackjazz Afroantillano on A.J. Diaz Records in 2004)<\/p>\n<p>Conexion Latina, La Conexi\u00f3n (Enja, 1996)<\/p>\n<p>Various Artists, Latin New York 1980-1983 \/ Live From Soundscape (DIW, 1997)<\/p>\n<p>Chucho Vald\u00e9s, Live (RMM, 1998)<\/p>\n<p>Carlos \"Patato\" Valdez, Unico y Diferente (Connector, 1999)<\/p>\n<p>Grupo Caribe, Son De Melaza (CMS Records, 2000)<\/p>\n<p>Son Boricua, Mo - Jimmy Sabater Con Son Boricua (Cobo, 2001)<\/p>\n<p>Adela Dalto, La Cr\u00e9ma Latina (Mujeres Latinas, 2002)<\/p>\n<p>Sonora Ponce\u00f1a, Back To The Road (Pianissimo, 2004)<\/p>\n<p>Jimmy Delgado, Salsa Con Dulzura (JD Records, 2004)<\/p>\n<p>Fania All Stars, Live In Cali, Colombia 2-DVD Set (FM, 2005)<\/p>\n<p>Dave Valent\u00edn, World On A String (High Note, 2005; nominated for a Grammy)<\/p>\n<p>Jimmy Bosch, Jimmy Bosch Allstar Band Live In Puerto Rico DVD (JRGR Records, 2006)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Nicky Marrero. El timbalero de los timbaleros El gran timbalero y percusionista Nicky Marrero estaba en todos lados durante el boom de la salsa de New York en la d\u00e9cada de los setenta. Toc\u00f3 y grab\u00f3 junto a Eddie Palmieri, Larry Harlow, Ismael Miranda, T\u00edpica Novel, Louie Cruz, Fania All Stars, Machito, y muchos mas [&hellip;]<\/p>\n","protected":false},"author":5545,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"open","template":"","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"class_list":["post-61","page","type-page","status-publish","hentry"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/blog.espol.edu.ec\/grosado\/wp-json\/wp\/v2\/pages\/61","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.espol.edu.ec\/grosado\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/blog.espol.edu.ec\/grosado\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/blog.espol.edu.ec\/grosado\/wp-json\/wp\/v2\/users\/5545"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.espol.edu.ec\/grosado\/wp-json\/wp\/v2\/comments?post=61"}],"version-history":[{"count":6,"href":"https:\/\/blog.espol.edu.ec\/grosado\/wp-json\/wp\/v2\/pages\/61\/revisions"}],"predecessor-version":[{"id":111,"href":"https:\/\/blog.espol.edu.ec\/grosado\/wp-json\/wp\/v2\/pages\/61\/revisions\/111"}],"wp:attachment":[{"href":"https:\/\/blog.espol.edu.ec\/grosado\/wp-json\/wp\/v2\/media?parent=61"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}